FIRST MOTION PICTURE MOVIE

It is clear that it was intended as part of a complete audiovisual system: 'we may see & hear a whole Opera as perfectly as if actually present'.

Patent Office announcing his plans to create a device that would do 'for the Eye what the phonograph does for the Ear'. No such collaboration was undertaken, but in October 1888, Edison filed a preliminary claim, known as a caveat, with the U.S. Two days later, Muybridge and Edison met at the Edison lab in West Orange and discussed the possibility of joining the zoopraxiscope with the Edison phonograph-a combination system that would play sound and images concurrently. Edison's laboratory was close by, and either or both Edison and his company's official photographer, William Dickson, may have attended. On February 25, 1888, in Orange, New Jersey, Muybridge gave a lecture amid a tour in which he demonstrated his zoopraxiscope, a device that projected sequential images drawn around the edge of a glass disc, producing the illusion of motion. 1889–90) produced as tests of an early version of the KinetoscopeĪn encounter with the work and ideas of photographic pioneer Eadweard Muybridge appears to have spurred Thomas Edison to pursue the development of a motion picture system. Numerous motion picture systems developed by Edison's firm in later years were marketed with the name Projecting Kinetoscope.ĭevelopment Sheet of images from one of the three Monkeyshines films (c. Film projection, which Edison initially disdained as financially nonviable, soon superseded the Kinetoscope's individual exhibition model.

In 1895, Edison introduced the Kinetophone, which joined the Kinetoscope with a cylinder phonograph.

FIRST MOTION PICTURE MOVIE

Instrumental to the birth of American movie culture, the Kinetoscope also had a major impact in Europe its influence abroad was magnified by Edison's decision not to seek international patents on the device, facilitating numerous imitations of and improvements on the technology. The completed version was publicly unveiled in Brooklyn two years later, and on April 14, 1894, the first commercial exhibition of motion pictures in history took place in New York City, using ten Kinetoscopes. Dickson and his team at the Edison lab in New Jersey also devised the Kinetograph, an innovative motion picture camera with rapid intermittent, or stop-and-go, film movement, to photograph movies for in-house experiments and, eventually, commercial Kinetoscope presentations.Ī Kinetoscope prototype was first semipublicly demonstrated to members of the National Federation of Women's Clubs invited to the Edison laboratory on May 20, 1891. inventor Thomas Edison in 1888, it was largely developed by his employee William Kennedy Laurie Dickson between 18. First described in conceptual terms by U.S. The Kinetoscope was not a movie projector, but it introduced the basic approach that would become the standard for all cinematic projection before the advent of video: it created the illusion of movement by conveying a strip of perforated film bearing sequential images over a light source with a high-speed shutter.

The Kinetoscope is an early motion picture exhibition device, designed for films to be viewed by one person at a time through a peephole viewer window. Interior view of Kinetoscope with peephole viewer at top of cabinet

First motion picture